Wednesday, April 26, 2023

Lofsna's Final Intervention: Colorism







 

For my last intervention, I chose to expand on my previous interventions by using my previous projects as outlets to add onto my last one. While coming up with ideas, I contemplated what it is that I wanted to focus on so I could shed light onto my topic, raise awareness and for people to be able to engage and participate. For my final intervention I decided to use a black canvas portraying the oppression that darker skin folks face and put-up sticky notes of how people felt about colorism. I also wanted to create a montage of different people’s opinions on colorism, their experiences, activists who have raised awareness on the topic.

               Throughout all my interventions, I have done plenty of research regarding colorism. Colorism is a topic that is not talked about enough, people know that it exists yet disregard it, unwilling to confront the harsh truth. I chose colorism because like all the other important isms, colorism is the least of people’s concern, except for those it affects and the ones who must live through it daily. I have not experienced colorism but knowing that it exists and am able to use the resources already available to me to create some sort of impact was motivation enough.  While doing these projects, I have gained a lot of knowledge that I otherwise wouldn’t.

A lot of people have yet to widely acknowledge colorism’s existence whether it’s because they may not know about it or refuse to admit that it exists. Colorism is the social marginalization and systemic oppression of people with darker skin tone and the privile1ging of people with lighter skin tone. Where racism discriminates against people based on their racial identity, colorism discriminates based on the shade or tone of a person’s complexion. People of different races can have the same skin tone, and people of the same race can have different skin tones.

That means that this kind of bias can happen even among people of the same race or ethnicity. However, colorism is not self-imposed. It’s informed by centuries of racism and violence that forced individuals to align themselves with whiteness to survive.  Whether consciously or unconsciously, those with colorist attitudes perceive people with lighter skin tones as more educated, attractive, prestigious, and capable than those with darker skin tones.

“But art is also used to challenge authority and privilege, often precisely by challenging how those in power see the world.”

“Our sense of possibility is limited by what we can imagine, and our imaginations are bound by the culture within which we can imagine.”

“We can also create actions that propose radically new ways of making sense of reality. Instead of revealing the world at is, we here demonstrate the world as it should be, prefiguring the reality we desire.”

               While making this intervention, I did some research and discovered a couple of activists women who spoke about/against the issue. One of the activists was Alice walker, she’s known for being the first person to use the term “colorism.” In an essay from her 1983 book, in search of our mothers’ gardens, walker defines colorism as “prejudicial or preferential treatment of same race people based solely on their color.” I found about Nina Simone through a film that was made about her life and found out that she was an American classical singer, songwriter, pianist, and civil rights activist.

 

(162) Colorism - YouTube






SHORT ESSAY - Kimberly Drew

This is What I Know About Art by Kimberly Drew

    From what I learned about Kimberly Drew, she was like one of us; a student, working and going to full time who happened to find her passion in the midst of her college career and early 20s. What she didn't realize is that passion for her career was always there, but it took an internship during college to get her to realize that. Her story shines a light on themes such as finding the source of our motivation for activism in unexpected and unruly places, making the decision to participate, and putting the work in to raise awareness to societal issues. In order for there to be more art activists, there has to be a moment where the said artist is struck with the motivation to look into the problem, conduct research and experiment in ways they can project the issue to the world. Activist art is not just about a drawing or painting that can be shown to the public. Oftentimes concepts such as marketing and networking is what gets the ideas out there, and Kimberly Drew understood the importance in that.

    What stuck out to me the most was Kimberly explaining her decision to complete change the trajectory of her career plans in college. On page 20, Drew writes "When I got back to Smith College, I dropped my architecture major and began to register for art history classes. Because I was a junior, I had to take three art history classes a semester to complete the major. Though determined, I was also working two jobs and knew almost nothing about art'" (Drew, 2020). All it took was one internship to influence and push Drew to change her life and pursue something she found important. She was on the cusp of finishing her degree, just to turn around and alter her life to pursue art history.

    Kimberly knew that it wasn't just the artist themselves that can be activists. There was a specific moment where I could relate to Kimberly on a more personal level. On page 11, she explains "My first art-related memory . . . is from kindergarten . . . When assigned art projects, I would trade my lunch for artwork made by my classmates who I knew had better art skills. Why make my own drawings when I knew someone who could do it better" (Drew, 2020). Its the authors who write about these activists, the historians who tell the stories and the curators who push the art all play a role in activist art. There needs to be people who are just as passionate about the cause as the artist is. Can we always change the audiences' mind? Unfortunately, no. In the Art of Activism, the Lambert and Duncombe explain "So, to sum up: 1) our political belief systems are soft-wired into our brains, 2) presenting new facts won't change what someone thinks, and 3) the chance of people changing their minds decreases with age" (185). The older one is, the harder it is to "change their mind." Maybe the goal isn't to shift the perspective, but to get someone to actually think and question the topic at hand. Kimberly Drew used her platform and connections to softly push for artistic activism. Her platform grew gradually, and more people caught wind of the messages and art she was trying to get out.

Kimberly Drew also understood that in order to make real change and influence minds, she had to educate herself. Throughout her book she describes all the research and classes and internships she participated in order to gain the knowledge about the art and understand different walks of life. She made it her business to get to know people and especially, to get to know art. In the text, The Art of Activism, the authors describe how we should " . . . try and understand why people think what they think and do what they do, and to then use this to build a better world together. Instead of dismissing people's decisions as ignorant, or nonsensical, we can learn to make sense of the thinking can learn to think more like them" (page 241). If you want someone to understand you, you need to be able to be open to understand others. Taking the time to be talk and get to know the "where, how, why and what" of an opposite mindset even gives you the chance to gain ideas on how to appeal to a bigger, broader audience.

    influenced me in a way that made me think about three things that I am very passionate about: mental health, beauty standards, and cultural appreciation. I've personally always used my own art to express myself about all three topics. What I need to do is become more active in networking and putting my artwork out there. The truth is I am the only one that gets in my own way because oftentimes I felt as if my art wasn't good enough to be presented on a poster or in a gallery. But what Kimberly Drew taught me through her book is that if I wanted to see change, then I needed to believe in my own art and have the courage to showcase it. Below, you will see four different art pieces that I have drawn on paper or done on Procreate that emulates the topics I am passionate about.

I hand drew this to emulate the culture of Puerto Rico. I tend to use women in my art mainly so I can connect it to myself and my loved ones. Its easier for me to express something through a feminist and feminine perspective.
This was done on Procreate to emulate the beauty of textured hair in women.
This was done on Procreate. I wanted to showcase the island flower (hibiscus) and the coffee pot; two well known things from Puerto Rico.



This was done on Procreate to showcase the beauty of African American women. People from Puerto Rico derive from what is known as the "three races": African American, Taino Indian, & European (mainly Spaniard). As much as the people of Africa were oppressed and tortured, their colorful and vibrant culture still stands despite many colonizers attempt to destroy it.





Works Cited

Duncombe, Steve. Lambert, Steve. The Art of Activism. OR Books, 2021. 

Drew, K. (2020). This is what I know about art. Penguin Workshop.

Final Intervention

For my final intervention, I'm going to continue my blog project. The purpose of it is to focus on art and activism in differnet forms of media. Whether it's in comics, animation, movies, games, etc. But to also continue my own journey with activism and art. Since I've always found it difficult to put myself out there. The blog doesn't necessarily focus on one sole topic like gun violence or climate change, but on any topic to explore how people view things differently and or similarly.


Quotes:

"Thinking creatively about tactics doesn't simply mean "adding" the arts to our actions and campaigns - using symbols, making images, staging spectacles, and telling stories- it also means thinking creatively about the seemingly non-cultural aspects: tactics, strategie, objectives, goals, and organizational structure."

"As artistic activists, our job is to not only to fight battles within the legitimate or prescribed arenas of politics, but to expand the very idea of the political and define new terrains of struggle and change." 


Final Intervention

https://youtu.be/QArgwh_C22o


While coming up with an idea for this last intervention I pondered on the different ways I can distribute my intervention to a larger audience. I didn’t just want to make a social media page or posters because I feel like there is a personal element missing from those tactics. I wanted to get people to “step off the curb” and really participate in anti-war activism to bring about change. I thought a movie trailer would be perfect because it can be easily distributed, and people may be inspired to make their own films. In chapter 5 of The Art Of Activism, the authors state, “Countless activists and artists have described the purpose of their work to us as being to “raise awareness” or “start conversation” Is that really the outcome they are after?” This quote resonated with me because I am a firm believer that conversation around a topic is a good start, but the goal should be to bring about real change such as putting forth new laws. My message for the audience is that war is something that many people feel anxiety about, but they may not realize or think about it because it seems so distant. As a young man, you can wake up one day and have your life stripped from you because selfishness and greed took over the minds of the people who have military power. 

 

The way I reached my audience was through the distribution of this trailer through word of mouth and social media. Activism can sometimes be a lot of work and I didn’t want this intervention to feel like a chore because that can scare some people into participating in anti-war activism. I wanted to include as many details and facts as possible but a quote in the book made realize that may not be the smart thing to do. It states, “We shouldn’t expect to move people through the whole process at once- a few stages is a substantial accomplishment. In fact, trying to make a piece that achieves everything will leave you burned out and depressed.” With this new information, I realized that many small projects can be more effective than trying to cram all the information about a topic into one project and that is why I chose to use a short video to get my message across. 

 

This project fits in perfectly with my professional aspirations because being a fashion designer is much more than just making clothes. You have the opportunity to spread messages about things you are passionate about, and also experiment with other forms of art such as videography. I always tell people I want to shoot my own look books and promotional videos myself and this project helped me get better at editing and finishing a project in a short amount of time. I wish I had more time and a bigger budget to make an actual short film about war because it would give people a clear view of how peaceful life can be without war and how horrible it can get because of it. In the book it states, “When we act in order to bring social change it is important not only to “demonstrate” what we are against in the here and now, but also to create a vision of the world we would like to bring into being in the future.” This is something I 100% believe in and thats a big part of the reason why I chose to make a small film. Seeing is believing to most people and once they see your vision it will be hard for them to deny the facts. 

 

I was inspired by many artists for this intervention, and two of them are Yoko Ono and John Lennon. I realized that they held anti war activism very close to their hearts and listening to their song “give peace a chance” I knew I had to create something that people can resonate with. The songs' lyrics are so powerful, and they stay with you even after you finish listening. Another artist I was inspired by is Stanley Kubrick. I watched all of his films and every single one has an underlying theme that he cleverly adds into his movies. As a director, possibilities are endless, and you can create an entire world for people to get lost in. That’s why I chose to make a film even though I have no experience in film making because creating a world where people can see how good life is before war and how terrible it can get during a war is the only way people will “step off the curb” and attempt to create real change. Banksy is another artist I took inspiration from for all 3 of my interventions. I saw his piece titled “bomb love” and knew I wanted to do antiwar activism especially because war is so relevant in today's world with the invasion of Ukraine. Although Banksy isn't a fashion designer or movie director, his images inspired me to create an intervention that makes people think deeply about the subject matter and he also inspired me to put my work in public places for people to see. I had a great time completing these interventions and I'm excited about continuing my activist work in my career. 



Creating Posters, Final intervention.

Creating posters


I had a difficult childhood, I didn’t grow up with any of my parents, an aunt raised me. I love my aunt with all my heart, to me she’s my mom and the woman who gave me everything she could offer. However, I always felt the emptiness of not having my parents around. Since I became a mom I made a promise to myself, which is to give my daughter everything I didn’t have. To start, it is very important to me to listen to what my daughter has to say. Like making her understand from a young age that she has a voice, that I hear what she is saying, and that I am taking her seriously.




Creating posters is a project from a kid to an adult. This project is about things that kids think and they want adults to take them seriously. The idea is that at some point someone will run into these anonymous posters and think about them. Hopefully, it will stay in the minds of whoever reads them and it will cause a little change in their day. I hope this project raises questions like, who wrote this? Why the grammatical issues? Was it a child who wrote this? It must be, or who knows maybe it will make someone smile, maybe someone who is having a bad day.




This project is meant to be positive and it comes from the heart of a kid that just wants to be understood. However, I do not intend to change anyone’s mind, each person will read this, and each one will take it in their way. As The Art of Activism states: “We have another spot of good news: the brain is not a one-party system. Most of us have more than one mind when it comes to our beliefs.” (Duncombe, Lambert 191) Some people could find it annoying, and other people can smile. My goal is that even if there is just one person who can make a small change this project will be a success. 


The most effective way to get to people is visualizing ideas “We frequently present others with “the facts” expecting these to speak for themselves. They rarely do. People like to visualize ideas. Pictures help give a form to abstract theories, causes, and grievances. Spectacles are a public way to draw a picture.” (Duncombe, Lambert 99) Just talking about it is not enough, and that’s why we will continue creating these posters, so people can read them and maybe keep them.





As far as artists that were inspired to create this project:


Gillian Wearing

As human beings, we constantly engage in thinking silently, sometimes we wonder what other people are thinking. Gillian Wearing, a photographer from The United Kingdom, in 1992-1993, asked strangers on the streets of London to write the thoughts passing through their heads onto signs and then photographed them holding up the signs. I thought this was a genius idea because it is interesting to see the faces and then read what they were thinking.


Seth Phillips

Seth Phillips is a content creator on Instagram who creates different posters. “In October 2019, Seth Phillips and Jerry Media founder Elliot Tebele, took to the streets of New York City’s SoHo neighborhood to hold a cardboard sign with a simple protest, “Stop replying-all to company-wide emails.” Since then Seth is very popular in what he does. He just writes quotes that sometimes the majority of us think about but no one says them out loud. This genius idea shows how much people pay attention when there is text on an image. More people will stop and read


Carrie Mae Weems

I am a big fan of Carrie, and especially her work, The Kitchen Table, even though I intentionally take pictures of this project, it has a purpose. Carrie used the Kitchen as a guide, I am using the posters and my daughter. The idea is that more parents get inspired and do as we do. Because this is something that we want other people to identify themselves


Sally Man

Sally's fan is always an inspiration of mine. Her body of work, Immediate Family, is a huge inspiration for my work. That’s why I also took portraits of just her face. Photographing my daughter is super important to me because I can capture in real time her emotions as we hang the posters




To conclude as Kimberly Drew states in her book, “Please, never hesitate to begin your journey into the arts.” (Drew 60) I am encouraging adults to work with children. To start the journey, and do not hesitate. The result is fascinating, it is never too late to start listening to them, in the future they will thank us, trust me.



Final Intervention: Children in Poverty

Children in Poverty

Social hierarchy is an unfortunate reality that exists in many societies around the world. It can manifest in various forms, including economic status, race, gender, or other factors that create an unequal distribution of resources and opportunities. Such inequalities can affect children in particular, who may be forced to work at an early age to help their families make ends meet.

Growing up in the Philippines, I witnessed firsthand the impact of social hierarchy on our society. I attended a public school where social hierarchy was evident, and I noticed how privileged I was compared to some of my peers. I had access to nutritious food, clean clothes, and a comfortable home, while some of my classmates struggled to meet their basic needs.

Sadly, my experience is not unique. Globally, millions of children are affected by poverty. According to the United Nations (2021), an estimated 385 million children live in extreme poverty, lacking access to commodities such as food, water, healthcare, and shelter. These children are also at a greater risk of exploitation, including forced labor and trafficking.

This awareness of social hierarchy and poverty, and its impact on our precious youth inspired me to create an art piece depicting four children carrying a heavy bag of bananas to sell on the street. Through my artwork, I wanted to shed light on this harsh reality of children-- obligated to work at a young age to support their families and themselves. I also wanted to raise awareness of the privilege that many of us take for granted and the importance of helping those less fortunate. 

In today's materialistic society, it's easy to forget about the struggles that some people face as we focus on our own desires and wants. Children living in poverty are particularly vulnerable. Poverty can affect them in many ways. Not only is their access to basic needs limited, but it can also have a significant impact on their physical and emotional well-being, denying them the opportunity to reach their full potential.

It is not the responsibility of these children to solve the problem of poverty. Hence, it is essential for us to recognize their struggles and work towards creating a society that is more equitable and just. As individuals, we can make a difference by advocating for policies that promote social justice and equality. For example, supporting initiatives that provide greater access to education, job training, and healthcare can help to alleviate poverty and create opportunities for unprivileged children and families.

In addition to advocating for policies, we can also support organizations that work towards improving the lives of those affected by poverty. These organizations provide necessities such as food, clothing, education, and shelter, as well as other support services such as healthcare, counseling, and job training. By supporting these organizations, we can make a meaningful difference in these people’s lives.

“Like a boil that can never be cured so long as it is covered up but must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured (The Art of Activism, pg. 109).” This quote is from Martin Luther King Jr.'s "Letter from Birmingham Jail"; it implies that injustice is like a hidden wound, that needs to be exposed and treated in order to be cured. It suggests that exposing and confronting the ugliness of injustice can create tension, but that this tension is necessary for change and healing to occur. Hence, I shared the poster on social media, Instagram, and LinkedIn, and posted it in privileged neighborhoods, as well as on our campus with the help of my friends. I believe that it can raise awareness about poverty and get people to take action towards helping alleviate poverty and help our children. Through increased awareness, those with privilege may feel compelled to donate to organizations that work towards improving the lives of the disadvantaged. They may also use their privilege to advocate for policy changes that could help reduce poverty and inequality.

To address the issue of social hierarchy and poverty, we need to work towards creating a more just society. This can be achieved by advocating for policies and supporting organizations that work towards improving the lives of children and families affected by these issues. Even though poverty and social hierarchy cannot be completely eliminated, we can change people's attitudes towards it and create a more equal, empathetic, and compassionate society. As The Art of Activism points out, "While it’s often impossible to change the physical realities of our situation, we can change the ways in which people make sense of that reality" (pg. 95). In other words, we may not be able to change the circumstances, but we can change people's perceptions of them. 

With all said, a crucial reminder in the process of taking action on any social problems is to not only demonstrate what we are against in the present but also to create a vision of a better future. As the same book notes, "When we act in order to bring about social change, it’s important not only to 'demonstrate' what we are against in the here and now, but also to create a vision of the world we would like to bring into being in the future" (pg 94). It is not enough to merely criticize the way things are. This, perversely, can actually reinforce the status quo by recentering what is. What’s also needed are new models for the way things might be. 


Inspired by these artists:

1)  Nas and Damian Marley.

"Patience" is a song by Nas and Damian Marley that speaks about the struggles of living in poverty and the importance of perseverance and hope. The song is a powerful commentary on the systemic issues of poverty, inequality, and injustice that affect many people worldwide.

In the song, Nas and Damian Marley talk about the hardships faced by people living in poverty, such as struggling to make ends meet, facing discrimination, and dealing with violence and oppression. However, despite these challenges, the song encourages people to have patience and keep pushing forward toward a better future.

The song also speaks about the importance of community, unity, and love in the face of adversity. It highlights the need for people to come together to fight against injustice and to support one another in their struggles.

https://www.youtube.com/watch?v=y4NlW43QNQQ

2) Zeyn Afuang, the photographer of the picture I referenced my artwork with. She admires the happiness and contentment of those affected by poverty.

3) Sharon Alexie, a French-Cameroonian artist. She uses her art to tell the stories of her people.

4) Audrey Hepburn, her love for the children.


Works Cited

Duncombe, Stephen, and Steve Lambert. The Art of Activism: Your All-Purpose Guide to Making The Impossible Possible. O/R, 2021.

United Nations. (2021). Child Poverty. Retrieved September 30, 2021, from https://www.un.org/development/desa/undesavoice/feature/2018/06